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" I H A V E N O T A L W A
Y S
A I M E D F O R B A L A N C E
I N L I F E, B U T N O W I S E E
T H A T I F I W A N T T O
R E A L I Z E M Y D R E A M S
I M U S T M A I N T A I N A
F I N E B A L A N C E ."
Eric
Maisel
" I A M I N M Y S
T U D I O
A L L D A Y W O R K I N G,
O F T E N I N T H A T D E E P
A N D V I O L E N T W A Y,
A N D W H E N E V E N I N G
C O M E S A N D F A M I L Y L I F E
R E C L A I M S M E, T H E N
I F E E L S T A B I L I Z E D ."
Louise
Bourgeois
" T O E N J O Y F R E E D O M
W E H A V E T O
C O N T R O L
O U R S E L V E S ."
Virginia
Woolf
" M Y N A T U R E I S
O R D E R L Y A N D
O B S E R V A N T A N D
S C R U P U L O U S A N D
D E E P L Y I N T R O V E R T E D ."
Joyce
Carol Oates
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Weather,
like much of life, is unpredictable. We rely on patterns of past experience
to predict future events. There is even a body of scientific knowledge
that we can call upon when making a forecast. And yet there remains
an element of capriciousness.
This year in Edmonton, Alberta we have encountered torrential rains,
some flooding and unusually hot temperatures. Recently Gary and I were
even stranded briefly by a flash flood. Our weather has been similar
to what I remember from my childhood home in Kansas. I confess I have
been surprised by the fickleness of our hot and muggy Alberta summer.
How open am I to surprise and unpredictability in my life? While I would
like to say that I welcome it, an examination of my life would suggest
otherwise. If fact, I am highly predictable. My life is based on simple
routines that I find comforting and grounding. There are few surprises
in the rhythm of my days.
I suspect that the consistency in my life is a reason why I don't fall
apart when the inevitable stressors or misfortunes occur. That is not
to say that I am not impacted. Rather that I have the capacity to be
resilient that is enhanced by the grounding routines I value.
I am aware that not everyone has the luxury of consistency in her life.
I am currently reading Reading
Lolita in Tehran by Azar
Nafisi. It is an account of a group of seven young women who
met secretly for two years with their teacher Azar Nafisi to read and
study forbidden Western literature. These women also sought some predictability
in their lives though their circumstances are complex and dangerous.
I am inspired by their courage.
In the past few months I have recounted some of my struggles as I have
worked on my "Inside
the Dress"
process. In the midst of all my angst I have relied on the consistency
of my routines. For example, when I scared myself about making the first
mark in my journal I still went to my exercise classes, followed my
regular diet and spent time with my friends and family. It took many
days before I could gather my courage to begin. My routines didn't take
away my anxiety, but they helped.
This month my art making has consisted of gathering information. I have
checked out interfacings, boning types and closures. I have also started
looking at plastic lighting options. My plans shift as I learn more
about the materials that are available to me. As these hot summer days
roll on my mind is filled with construction details. I have a sense
of moving to a new phase of the "Inside the Dress"
process. I am excited to see what happens next .
The
project is entitled, "Inside the Dress." It is a process that will culminate
in an exhibition at the McMullen Gallery in 2005. My colleagues, Jean
Brandel, Judy Villett and Jayne Willoughby-Scott and I conceived the
idea as a means of creating an opportunity to work deeply. The process
will take more than a year to complete. We envision the result of collective
personal work will be a remarkable exhibition.

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