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" O T H E R S H A V E A N
E X P E R I E N C E O F U S
T H A T M A Y B E
Q U I T E D I F F E R E N T
F R O M O U R
E X P E R I E N C E O F
O U R S E L V E S ."
Shaun
McNiff
" W E D O N O T
D E A L M U C H I N F A C T S
W H E N W E A R E
C O N T E M P L A T I N G
O U R S E L V E S ."
Mark
Twain
" M U C H O F M Y L I F
E
H A S B E E N A B O U T
S E L F-E F F A C E M E N T,
P R E T E N S E,
M A S Q U E R A D I N G,
C O N C E A L M E N T
A N D
I N D I R E C T I O N ."
Marlon
Riggs
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Asking
for feedback can be a frightening proposition. In the past I have written
about asking for feedback regarding your artwork (see June 2002). In
that article I suggested ways of asking for as well as giving specific
feedback. I recommended asking for feedback from people whose opinions
you value.
As a part of my Inside the Dress project
I have decided to ask some people I admire to give me feedback about
my personal qualities. I am interested in incorporating the perspectives
of others in my work. I believe that there is much for me to learn about
myself from others' experiences of me.
I have asked for a description of an important quality. I invited consideration
of both positive and negative aspects of the quality. For example, I
am strong willed. My will is helpful in persevering through challenges,
but can be can become detrimental when I become stubborn and narrow
in my focus.
I have also asked each person to choose a symbol that represents the
quality depicted. I am interested to see if symbols selected will be
similar or different from symbols I ordinarily relate to myself.
Operating on the theory that it takes two to know one I am asking for
a mirror in which to see myself. According to Shaun McNiff it is through
others that we discover who we are. It is not sufficient for us to rely
on our own view of ourselves.
We make up
stories all the time about who we are and what others think of us. Recently
a friend asked for feedback about an exchange we had. She thought I
might be judging her negatively. In fact I thought she was courageous
and strong. If she had not asked, she might not have known that I admired
her. Most often I have not asked.
My hope is that the perspectives of my friends and family will help
me to see myself more fully. I will carefully consider what they tell
me. I imagine there will be a lot to learn. Although I am anxious I
am also looking forward to this new information.
As I have excavated my interior experience during the past nine months,
I have developed a stronger sense of myself. I am able to more clearly
articulate who I believe I am. I am more certain about what I want to
do with the rest of my life. I seek even more clarity.
Having a mirror may allow me to see myself differently. I suspect that
I will find some new understanding. My hope is that I will be enriched
and that my work will also become fuller.
The
project is entitled, "Inside the Dress." It is a process that will culminate
in an exhibition at the McMullen Gallery in 2005. My colleagues, Jean
Brandel, Judy Villett and Jayne Willoughby-Scott and I conceived the
idea as a means of creating an opportunity to work deeply. The process
will take more than a year to complete. We envision the result of collective
personal work will be a remarkable exhibition.

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