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Laurie Swim

Laurie Swim  
My introduction to Laurie Swim was through her first book, The Joy of Quilting. I did not actually meet her until last fall when I visited her studio in Lunenburg, Nova Scotia. There she was working on her current exhibition. She graciously made time to show me her work and talk about her newest book. What I learned in that visit was something about how Laurie loves her surroundings. Through my conversation with her I certainly developed a

new appreciation for how we are all attached to the geography of the place we call home.

Laurie has had an illustrious career as an artist specializing in large-scale commissioned work. She worked for many years in Toronto where she created works for businesses as well as private collectors. She has also worked extensively with communities in collaborative visual art projects. She often uses her work to speak out against injustice.

Laurie is also featured in this month's edition of the Canadian Quilter Magazine.

I am very pleased to introduce you to Laurie Swim. I hope you will enjoy this brief introduction to her work.

- M a r y  H o l d g r a f e r.

Laurie Swim - Artist statement:
Creating art has always been my passion. From the time I entered Kindergarten in my hometown of Lockeport, Nova Scotia, I was the class artist. I spent two years in the Fine Art program at Mount Allison University, Sackville, New Brunswick before moving on to the Nova Scotia College of Art and Design in Halifax, Nova Scotia where I completed my BFA in 1972. My focus became fibreart and I apprenticed with two Danish Weaving Designers in Denmark in 1974. In 1978, I moved to Toronto, Ontario to start a career as artist creating site specific commission works in fibre for public and private spaces. In the late 80’s I started creating community-built quilts for social activism and historical record.

I am also the author of two books, The Joy of Quilting with an Introduction by Alex Colville (1984) and Quilting (1991). I am working on a third book, The Art of Quilting.

Since moving back to Nova Scotia in 2004, I have concentrated on landscape pieces inspired by my surroundings. The two series I am working on at present are The Ragged Shore and They were Fishers. These images are dear to my heart and I hope to continue creating them for many years to come.

- L A U R I E  S W I M   2 0 0 7 -


Blue Boats in Blue Rocks
(Ragged Shore Series)


Blue Boats in Blue Rocks

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Blue Boats in Blue Rocks detail

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For some time it has been my desire to make a series of small art quilts portraying the landscape I know so well, it follows me in my dreams. Growing up on /The Ragged Shore/ has given me a rich source for my work as an artist. My intention in the creation of this body of work is to provide a place for the eyes to rest, the imagination to wonder and the mind to wander.





A Farewell


A Farewell

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A Farewell detail

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My first impression of this graciously proportioned building was that the image was reminiscent of an Edward Hopper painting. The American painter captured the magnificent light of the East Coast and I am quite certain, albeit subconsciously, has influenced me as a visual artist. The elusive light of my surroundings sometimes causes me to respond emotionally; sometimes the beauty “breaks your heart” because you want to hang onto it forever. As homage to Hopper I have included the figure in the bay window. This homestead belongs to our neighbours next door; Louise and Clayton Strickland. Clayton, a retired sea captain could always be counted on for a yarn of local history. In the fall of 2005, Clayton fell ill and passed on within six weeks. His spirit still is with us in the little drawing of him as the figure standing off from the right of the house. Farewell is not only a good bye but a greeting that expresses that we wish for those who touch us a happy journey, whatever it might be.







Jonah


Jonah

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Jonah detail

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As a Pisces with the surname of Swim living in Nova Scotia, fish as a theme came naturally. This Work took on its own life when I placed a sketch of my son as a boy inside the fish shape. Other areas of this piece allude to tidal ridges in sand, the grey waters of the Atlantic and a seascape in the upper right hand side. The verse Jonah 1:17 appears under the fish – ‘And Jonah was in the belly of the fish, three days and three nights.’ My interpretation is the belly of the fish is life at its lowest ebb and how we choose to handle it, what doesn’t kill you it will make you stronger.





 

Contact Laurie Swim:
email - laurieswim@eastlink.ca

See Lauries website
http://www.laurieswim.com/

     
See our previous 'Featured Artists' -
January - February 2007 Lou Punko
November - December 2006 Coreen Zerr
September - October 2006 Pamela Allen
July - August 2006 Nancy Bergman
May - June 2006 Cathy Tomm
March - April 2006 Johnnene Themean Maddison
January - February 2006 Margo Fiddes
November - December 2005 Judy Morningstar
September - October 2005 Janet Armstrong
July - August 2005 Sheila Niles
May - June 2005 Anna Hergert
March - April 2005 Janet Rice-Bredin
January - February 2005 Wendy Lewington
November - December 2004 Margie Davidson
September - October 2004 Martha Cole
July - August 2004 Kristin Miller
May - June 2004 Jean Brandel
March - April 2004 Jayne Willoughby Scott
January - February 2004 Margie Hennen
November - December 2003 Penny Berens
September - October 2003 Dale MacEwan
July - August 2003 Judith Martin
May - June 2003 Valerie Hearder
March - April 2003 Fay Wilkinson



 
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